|Clay faces on receptacles for offerings.|
When Spanish conquistadores arrived in this region in the 1530s they found a complex Muisca culture, who farmed corn, potatoes and coca leaf, mined gold and emeralds and created complex works of art, some of them meant to communicate with their gods.
|Emerald and other offerings.|
Many of the offerings, often made of gold and emeralds, were uncovered by campesino farmers or road building crews. Fortunately, those discoverers were honest. Most likely, some others were not, selling their finds on the black market.
According to the museum, the Muiscas placed more value in the gesture of giving than in the gift itself. And they gave gold to their gods, often made into exquisite artworks. Of course, theirs was a mostly non-capitalist society.
The tradition does also have a grim side - human sacrifice. One of the museum's texts describes how the sacrificial victim's blood was drained into a receptacle to offer to the gods.
|A tiny, beautiful, human form, called a tunjo.|
|An equisite golden raft.|
|The Muiscas' territory.|
|A clay receptacle.|
|'The sacrificial victim was tied to a high post and pierced with arrows until he bled to death. The blood was believed to be sacred.' A Spanish observer's account of a human sacrifice by the Muisca.|
|A receptacle used to capture the blood of sacrificial victims.|
|Terrace patterns in fields once farmed by Muisca people.|
|Gold people making gold offerings.|
By Mike Ceaser, of Bogotá Bike Tours