Showing posts with label national museum. Show all posts
Showing posts with label national museum. Show all posts

Tuesday, September 11, 2018

The Young Botero in the National Museum

A South Sea paradise.

Go see the exhibition of Fernando Botero's early works on now at the Museo Nacional and you'll come away with a surprise: Many of the figures aren't fat. In this early period, from 1948 to '63, he made still lifes, portraits, even abstract works, few of them are fat.

How did Botero get into the fat thing? Perhaps the secret is here somewhere.



Botero at work on a big baby.

Reminds me of New Deal labor art.





Guess this one is fat.












 By Mike Ceaser, of Bogotá Bike Tours

Thursday, December 5, 2013

The Absent Idols

Empty spots wait for monuments in the National Museum.
To commemorate a century of arqueological investigations in San Agustin, the National Museum has an exhibit on about the storied monuments. The exhibition includes images and lots of historical and anthropological information - but no monuments, or even reproductions of them.

Their absence is due to opposition by San Agustin area residents, who blocked the temporary transfer of some monuments to Bogotá, fearing that they could be damaged or not returned. The museum describes the locals' attitude as selfish. But the Sanagustinianos remember well that dozens of San Agustin statues were taken away in the early 1900s and remain in storage in Gemany.

The San Agustin monuments, located in Huila Department near the town of San Agustin, were created between about the time of Christ and 900 a.d. According to the museum exhibition, they may have been created by several different cultures. Nobody's sure what the figures represent or who created them, but climate change apparently played a key role in the cultural flowering and decline. According to the exhibition, the great period of monument building coincided with a time of abundant rainfall and good harvests.

An artist's rendering of an indigenous man
before the arrival of the Spanish.
The Sanagustianos' insistance on controlling the statues also suggests some questions about ownership of natural and artistic resources. There's no evidence that the people now living near the monuments are related to the ancient monuments' creators. So, why should they have any more right to control the monuments than someone from Bogotá, Medellin, or even New York? In this sense, are ancient monuments any different from gold or coal deposits? Nobody put them there, either?

In any case, those interested in seeing San Agustin monuments in Bogotá can visit replicas in the Los Martires district. 

Information about European and Colombian writing and research about the monuments. 
Altho the first Europeans visited the area in the 1530s and described the monuments, German ethnologist Konrad Theodor Preuss is considered to have done the first investigations in 1913.








By Mike Ceaser, of Bogotá Bike Tours

Thursday, September 19, 2013

Historic Photography in Colombia


The National Museum has this small exhibition about historical photography in Colombia. In addition to the dated techniques, the photos provide glimpses of Colombian history. 

Portraits of members of Colombia's Constitutional Convention

The aftermath of the explosion of six trucks of dynamite in Cali in 1956.
Tomás Cipriano de Mosquera, who fought in the revolution and was president of Colombia four different times, plays chess in prison. I'm not sure what he was doing in prison, tho. 

A downtown Bogotá church - but which one?


A mule-driven streetcar arrives in El Parque Santander after an hour's trip from Chapinero. Today, when traffic's heavy, it might take much longer. Behind the streetcar is La Iglesia La Tercera, which still stands. The photo's text says that in December 1854 several generals were shot and killed from the church's tower. 





A scene from Colombia's centenery celebration, held in el Parque de la Independencia. 

The Plaza Bolivar in the first decade of the 1900s, after a great fire nearby. 

The four men who strangled someone named Joaquin Vega in the 1850s.



By Mike Ceaser, of Bogotá Bike Tours


Tuesday, June 4, 2013

Tipping Bolívar's Pedestal

Too tall a pedestal for Bolívar?
Few things are more annoying - or more deceptive - than turning heroes of history into gods. And few people have been carried closer to godliness than the Liberator Simon Bolivar.

Bolívar was unquestionably a great hero. He led the revolution which freed much of South America
Do they deserve to be heroes?
from oppresive Spanish rule, replacing tyrrany with nascent democracy and leading to the end of slavery.

But Bolívar was also a man with imperfections and contradictions, which have been generally sanitized from history (Bolívar's womanizing is an exception, but that's also admired in Latin culture).

In a corner of the Museo Nacional, which is full of Bolívar busts, portraits and quotes, there's a small exhibition calling into question the prefection of the Great Man.

Naval hero José Prudencio Padilla
was executed by Bolívar's supporters.
The episode involves another revolutionary hero, José Prudencio Padilla, who fought and won several naval battles critical to the revolution. Padilla also happened to be a man of mixed-race, which has complicated the story of his relationship to Bolívar.

According to what seems to be history's official version, Padilla opposed Bolívar and apparently betrayed him and even participated in a conspiracy to assassinate El Libertador.

But today Padilla's opposition to Bolívar looks like a principled stand against a man who wanted to make himself into president for life. In that, Padilla was allied with fellow revolutionary hero and Colombian president Francisco de Paula Santander, who famously told Colombians that 'The law will give you freedom.' While Bolívar advocated a centralized government with a strong president - himself - Padilla and Santander supported a system with a strong Congress and powers vested in the provinces.

Mariano Montilla supported Bolívar against
the 'threat' of race mixing.  He sent
Padilla to prison for 'fomenting
racial hatred.'
And Padilla may have been framed because of Bolívar's apparent fear of race-mixing and the influence of people of color. According to the Museo Nacional's exhibition "Bolívar and other generals feared that people of African descent would seize power and eliminate the dominant class."

In 1828, shortly after Bolívar escaped an asassination attempt, Padilla was arrested and executed by Bolívar's forces.

Bolívar apparently recognized his error and repented for his treatment of Padilla, writing in a letter that same year "...what most torments me is the just clamor by with which...Padilla's people will complain. They will say with great justice that I have not been weak but in favor of that infamous white man..."

By then, of course, it was too late.

I wonder what Venezuela's mixed-race Pres. Hugo Chávez, who worhsipped Bolívar, thot about this. Rather, I bet, he conveniently ignored it.

Racism isn't the only one of Bolívar's flaws which has been generally forgotten. He also ordered acts which we'd consider severe war crimes, but back then were likely accepted as a normal part of war.

Letter by Bolívar: 'I have not been weak,
but in favor of that infamous white man...'
North America's heroes were also, of course, deeply flawed men. Many owned and traded slaves while writing soaring rhetoric about the equality and freedom of mankind. They directed the displacement and near genocide of Native Americans.

All these were men of their time and it's not fair to evaluate them by today's standards. But neither do their deserve sanctification.


By Mike Ceaser, of Bogotá Bike Tours

Friday, May 3, 2013

The Famous and the Common in the Photos of Leo Matiz


Leo Matiz, artist Fernando Botero and a Spanish writer acting Bohemian in Bogotá. 

Photographer of the wealthy, the humble and scenes of daily life, Leo Matiz was one of the leading documentary of Colombia, and perhaps the Americas, during the 1900s. His life and work embraced a great deal of Colombian history and Western culture.

He was born in 1917 in the town of Aracata (which would be immortalized by Gabriel Garcia Marquez), Matiz worked all over, but particularly in Colombia, Venezuela, Mexico and the United States. His varied worked includes portraits of the famous, idealizations of the humble and abstract patterns. Notice how the portraits of Lucho Bermudez, Pablo Neruda, Walt Disney and other famous figures display their personality. But the portraits of proletariats such as the Mexican weaver and Quijote, the old Mexican fisherman and others are idealized individuals. Perhaps that's Matiz's leftist idealist streak.

During his long career, Matiz photographed for Life, Readers Digest and Colombian and Venezuelan magazines, as well as working on movies. In 1948 he came to Bogotá to cover the Panamerican Conference and was scheduled to meet with populist politician Jorge Eliecer Gaitan and Fidel Castro the day that Gaitan was assassinated. Matiz was injured during the Bogotazo riots which followed.

In 1978, back in Bogotá, Matiz was mugged and lost one eye, causing him to give up photography for years.

In 1998, the Colombian government recognized Matiz as Colombia's premier photographer from the 20th century.

Matiz's work is on display in the Museo Nacional in Bogotá until May 19. Admission is free. 

A scene from the 1948 Bogotazo riots. 
In Caracas, Venezuela, a man and his hog celebrate the fall of dictator Perez Jimenez in 1958.
Colombian writer Leon de Greiff looking very intellectual. 


Colombian musician Lucho Bermudez.


Venezuelan fisherman, 1970.

A palm leaf pattern in Mexico. 

The Mexican Quijote. 

Colombian journalist Enrique Santos Montejo in 1971.

A Mexican weaver. 
-
Walt Disney in New York. 
Pablo Neruda, 1941.
Handling a zorrero in Bogota in 1970.


By Mike Ceaser, of Bogotá Bike Tours